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Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

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DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Thursday, May 10, 2007

Freelance journalist writing for Wikinews, Gabriel Pollard, with help from Brian Anderton, has interviewed New Zealand-based blogger, David Farrar on blogging, web 2.0, and the Internet in general.

David Farrar is most known for his “fairly popular” blog, Kiwiblog, where he posts on various topics, including politics and technology. He is the vice-president of the Internet Society of New Zealand, and has been involved in helping to split Telecom New Zealand up and in anti-spam legislation.

David Farrar first started using the “best invention ever,” Internet, in February 1996 after having owned a BBC Micro microcomputer since 1982. On the Internet he debated various issues using Usenet newsgroups. Kiwiblog now serves for this purpose. He then got his own personal Internet account with ihug in August of that year.

Farrar also has political ties, which can be seen in some of his blog posts. For eight years, Farrar worked for various Prime Ministers (PM) and Opposition leaders for the National Party, working with the likes of former PM Jim Bolger and former PM Jenny Shipley in the Media Services Unit of Ministerial Services.

Until Farrar landed himself a job in parliament, he had been using mainly Apple computers, “[I] finally converted to Microsoft in 1997 after being the only person in Parliament to have a Mac!”

Farrar was involved with introducing public e-mail for ministers, and the first Prime Minister website.

In 2004, after leaving politics, Farrar set up his polling and research company.

Kiwiblog, sparked by now defunct blog NZ Pundit by Gordon King, currently receives over 300,000 visitors a month. He suspects that Russell Brown, and the Spareroom blogs get well over 100,000 visitors. “There’s then probably a dozen or so other bloggers who get into the tens of thousands.”

“Gordon [King] would post wonderful polemics challenging the conventional thinking and reporting, and after a few months of reading him I realized that I also had views and could try sharing them with the world. So in July 2003 I made my first post, and enjoyed it ever since.”

Farrar admits to not having a deliberate strategy for promoting himself and his blog, he just found that doing more posts in a day and posting what he was interested in got the visitors that were interested in the same things. “Oh and most important of all is to have a sense of humour and enjoy doing it.”

If Farrar wasn’t blogging, he says he would be “Earning money! I spend far too long blogging when I should be working on more business. However it is doing well enough that I can divide my time up between my business, InternetNZ and blogging and not starve.”

Farrar has a few tips for those politicians who have started a blog, or are looking at starting one up, “Very few are successful because [they] treat it as a one way communication tool where they just post press releases or travel diaries. Rodney Hide is the best example of doing it the right way. John Key is video blogging and responding to comments through future videos, which is a different way to interact.” But still warns that most readers of blog prefer “honest opinion” instead of reading what the politicians want them to read.

Farrar is a huge supporter of Wikipedia and says that he uses it multiples times a day. He says that he was “very proud” when the Wikipedia community regarded him as notable enough to have his own entry.

“I wish I had more time to edit Wikipedia. There’s lots more NZ content to get onto there.”

Sites like YouTube, which Farrar uses daily, show that they can leave big brand names like Google Video for dead if they show strong innovation, Farrar says.

Farrar says the success to websites such as Wikipedia and YouTube is because of multiple user generated content, “…rather than tightly controlled content from one source.” The focus on the community at large is also a major factor of their success.

When asked where he sees the Internet in decades from now, his simple response was, “I wish I knew.” But he does predict every house in New Zealand will be connected to the Internet via fibre optics.

One scenario Farrar drew was, “…being able to see a map of your local area on your phone, and not just get told where the nearest toilets or bookstore is, but also if any of your friends are nearby.”

David Farrar would just like to say thanks for the opportunity of being interviewed on Wikinews.

Friday, March 7, 2008

Wikinews held an exclusive interview with Cynthia McKinney, one of the candidates for the Green Party nomination for the 2008 U.S. presidential election.

McKinney is a former Democratic Congresswoman from Georgia. She was first elected to the House of Representatives in 1992 and held her seat for ten years until being defeated by Denise Majette in 2002. She was the first ever African American woman from her state to be elected to Congress.

We asked her why she made the recent switch to the Green Party. She replied, “Due to the importance of environmental issues, Green issues are the issues of today. The Ten Key Values ofthe Green Party stress us getting along with each other in harmony with the planet that gives us life.”

When asked about how she would handle Iraq she replied, “I would instruct the Joint Chiefs to draw up a plan for the orderly withdrawal of all U.S. troops from the country. I would dismantle our military bases in the area, and I would also demand that U.S. andother international corporations relinquish any claims to Iraqi oil orother resources and withdraw as well.”

McKinney is running for president because, basically, she thinks that “it’s time that the people win”.

Wednesday, June 7, 2006

A survey released today by the RACV and Victorian Automobile Chamber of Commerce found that 20 percent of cars in Victoria have at least one worn or unroadworthy tyre.

The study looked at 1,000 cars last month and found of those 200 had at least one tyre that had worn.

Chief engineer for the RACV, Michael Case said that driving on worn tyres could increase the distance it takes a car to brake and road safety. “Increasing the braking distance can increase the chance of running into the car in front of you and having an unnecessary collision and if that collision is serious enough certainly it can cause injuries” said Mr Case.

It is widely accepted that tyres are one of the most important parts of a vehicle. As tyres are the only part of a vehicle in contact with the road, they affect acceleration, braking and cornering.

As well as the safety issues associated with driving a vehicle with a worn tyre, drivers can be fined for “driving an unsafe vehicle” and fined AUD$171, in addition police may “defect” the vehicle, restricting its use until repaired. Victorian law requires that tyres have a minimum tread depth of 1.6mm.

Wikinews investigated the average price of each tyre on a typical large and small Australian sedan, and SUV and found the cost to be AUD$129, AUD$105, and AUD$191 respectively.

This exclusive interview features first-hand journalism by a Wikinews reporter. See the collaboration page for more details.

Friday, November 3, 2006

On November 13, Torontonians will be heading to the polls to vote for their ward’s councillor and for mayor. Among Toronto’s ridings is Scarborough-Agincourt (Ward 40). One candidate responded to Wikinews’ requests for an interview. This ward’s candidates include Sunny Eren, Norm Kelly (incumbent), George Pappas, and Winston Ramjeet.

For more information on the election, read Toronto municipal election, 2006.

Friday, January 4, 2013

Recently, Wikinews spent time with with Australian Paralympic wheelchair basketballer Shelley Chaplin.

((Wikinews)) Interview with Shelley Chaplin. First of all, what position do you play?

Shelley Chaplin: Usually a point guard.

((WN)) Right. And whenever I go to see the basketball in Canberra, we pass by a glass case. In the case is a guernsey with number twelve on it, and a big sign that says that this was the guernsey worn by Shelley Chaplin…

Shelley Chaplin: That’s me! That’s my…

((WN)) It’s signed by the rest of the team, if you look — press your nose to the glass and look really close. How did that come to be there?

Shelley Chaplin: It’s actually the singlet that I wore in Beijing. Usually you get people to sign stuff. Anyway, the AIS just asked everybody if we would donate something […]. I wasn’t using it so, yeah, I gave them that.

((WN)) Oh okay.

Shelley Chaplin: I don’t think they have it… It’s been there for a while now. It think that was a four year loan or something like that.

((WN)) I think it’s been there for longer than that.

Shelley Chaplin: It’s been there for longer than that. Or — it must be four years around about now. Went in just after Beijing.

((WN)) So they’ll return that to you?

Shelley Chaplin: They’ll return it at some point. I mean, I like it. It’s nice to have it there. It’s good that they have some stuff from wheelchair basketball there, and I don’t need it, so, yeah.

((WN)) How did you get into playing wheelchair basketball?

Shelley Chaplin: After the Atlanta Paralympics actually. There was a welcome home parade in Melbourne. So I never knew anything about wheelchair sports before that. And I went to the parade, and I used to walk around, but that day I used a wheelchair because I was really tired, and someone just approached me and said “Hey, do you know anything about wheelchair sports? You should get involved!” And, yeah, so I did! I tried everything, and I liked basketball the most.

((WN)) And you’re a three point player?

Shelley Chaplin: Three point five.

((WN)) I’d never seen the game before. My first experience of it was when the Gliders came out on the court for that first game [in London], and I was really taken with the sport from the word go. It has a sort of grace that normal basketball lacks. But otherwise it’s very similar.

Shelley Chaplin: Yeah! I think people are often quite surprised by wheelchair basketball, what it is when they actually see it. I think the name “wheelchair” basketball means disability obviously, but when you watch it there’s nothing about disability to it at all. Just that we use wheelchairs, and that’s it. It’s just another sport.

((WN)) People in the press gallery were saying “I’ve just got to get out in a chair and…”

Shelley Chaplin: Try it! Yeah!

((WN)) So how did you get to go to Illinois?

Shelley Chaplin: After the Athens Paralympics…

((WN)) You won the bronze medal there?

Shelley Chaplin: No, we won silver in Athens…

((WN)) Silver in Athens, bronze in Beijing.

Shelley Chaplin: Yeah, while I was over there I met one of the American girls, and she was about to take up a scholarship there. And so I ended up meeting the coach, who was in Athens coaching the Canadian men’s team. So I ended up meeting him, and chatting to him about maybe going over there, and then when I got home I followed it up, and they offered me a scholarship, so I took it. So he’d already seen me play at the Paralympics, and knew who I was, so it was good.

((WN)) Which lead to what we ran on the front page of Wikipedia.

Shelley Chaplin: Oh yeah! I saw that! That was great!

((WN)) That’s why I rang up up and asked for your birth place. Somebody raised an objection, and said maybe she was born in the US.

Shelley Chaplin: Nope!

((WN)) I thought that was pretty spectacular, because there’s not a lot of athletes in any sport that have done that [been All-American without being American].

Shelley Chaplin: Cool. Definitely cool.

((WN)) How did your team go while you were there?

Shelley Chaplin: While I was there we… I was there for five years. The first three years we were national champions.

((WN)) For five years from 2004 to 2009?

Shelley Chaplin: No, I didn’t actually go until 2005. So I went in August of 2005. And I finished up in May of 2010. I went to five national championships, and we won three and came runners up in two.

((WN)) Wow!

Shelley Chaplin: Yeah! We had a good team.

((WN)) So you said you played for a club here in Melbourne as well?

Shelley Chaplin: Yeah, I play for the Dandenong Rangers here. We’ve just won two championships in a row. So… hopefully three this year.

((WN)) Wow!

Shelley Chaplin: Yeah! It’s pretty cool.

((WN)) That’s a pretty amazing record.

Shelley Chaplin: Yeah.

((WN)) And then of course there’s the Gliders as well. You’ve got the gold… no wait…

Shelley Chaplin: No, not the gold! Not yet! Two silvers and a bronze!

((WN)) I was sure you’d be saying “I’ve already got the silver and the bronze. Give me the gold!”

Shelley Chaplin: Yeah, that’s exactly what I was saying! No, I think we just had a young team and…

((WN)) Well, the team’s pretty much the same one as in Athens isn’t it?

Shelley Chaplin: No! There was probably only four players from Athens that were the same. We’ve got a lot of young players that are just sort of coming into their own in wheelchair basketball, so.

((WN)) What I noticed was when I looked over the statistics of basketball over the time you’ve been playing, the scores have been going up.

Shelley Chaplin: Yes. I think that’s partly to do with that we changed to a size six ball, so we went to a women’s ball. Until 2006 we were still playing with a size seven, which is a men’s ball. So we changed that. I think that helped with our statistics, ’cause it’s easier for women to handle the ball and stuff like that. I also think there’s been a big increase in the professionalism of wheelchair basketball internationally, so you have a lot of people who are training every day for this. Whereas I know leading into Athens not everyone was training full time. But now everyone’s a full time athlete.

((WN)) So you are a full time athlete?

Shelley Chaplin: Yep, I was. Leading into London I was. So from halfway through 2011 till the Paralympics — so, probably a year — I was a full time athlete. So we trained three times a day, five days a week. Play on the weekends.

((WN)) So you got a grant from the government?

Shelley Chaplin: Yep, the Australian Sports Commission supports us. And so does Basketball Australia obviously. […]

((WN)) That’s pretty intense though. Have you taken a break since then?

Shelley Chaplin: Yeah, since London I haven’t played any basketball. Been doing a lot of different things.

((WN)) Like what?

Shelley Chaplin: Just gotten into hand cycling actually.

((WN)) Oh okay.

Shelley Chaplin: Yeah, so myself and one of my team mates, Leanne del Toso, who was in London as well, we have decided to do a fund raiser. So we’re going to ride around the perimeter of Fiji. And so it’s 550 kilometres in ten days. So I’m going to be on a hand cycle, and Leanne, who can walk, is going to be on a real bike. She has really weak legs. So we’re going to do that. Raise some money and awareness for women in sport.

((WN)) Wow!

Shelley Chaplin: Yeah, it’s really exciting.

((WN)) When is that?

Shelley Chaplin: We go in June. But next month we’re going to launch a big fund raising campaign to get together all the money to do it all. But yeah, it’s pretty cool.

((WN)) Are you still with the basketball? Are you going to continue with that?

Shelley Chaplin: Yep! I do! So two weeks, no less than two weeks, the fourteenth of January, we go to the AIS for our first training camp of the Rio campaign.

((WN)) So I might be able to catch you guys again there.

Shelley Chaplin: From the fourteenth to the seventeenth.

((WN)) It must have been disappointing in London — Let me put it like this: I’m watching the game, and it’s “oh no, they’re losing” but you don’t look like you’re losing. You look like you’re having the time of your life.

Shelley Chaplin: Yeah! Definitely. I mean, what we play for is to play on the world stage and it is a lot of fun.

((WN)) Did you see how many people were there was?

Shelley Chaplin: Yeah, it was insane. In-sane.

((WN)) I was staring up at the top and I could not see the top rows. They were completely in darkness.

Shelley Chaplin: There was so many people there, and they were all supporting us. It was so much fun. It was the best I’ve ever done. But yeah, of course it’s disappointing, because you don’t want to win silver, or lose gold, but…

((WN)) The silver’s pretty good!

Shelley Chaplin: Yeah, being second in the world’s pretty good, definitely, but silver’s tough.

((WN)) It’s just that the Gliders have never won. They’ve never won the World Championship, they’ve never won at the Paralympics.

Shelley Chaplin: We’ve never won. Yeah, so obviously we wanted to change that. So yeah, definitely disappointing. We did what we were capable of. It wasn’t like we underperformed. We didn’t play badly. We just weren’t quite good enough.

((WN)) Yeah.

Shelley Chaplin: And the Germans were very good. They worked really hard.

((WN)) Really good.

Shelley Chaplin: They were very good, so…

((WN)) You played pretty well.

Shelley Chaplin: We had patches where we didn’t play well, but that’s basketball.

((WN)) The whole team needed to find something and lift, because like… we interviewed one of your team mates, and she we can’t expect to win if we’re shooting 39 per cent. Then of course you went ahead and won two games shooting 39 per cent, which sort of made a bit of a liar out of her…

Shelley Chaplin: Yeah, well our biggest strength was our defence, so if we can play the defence, we can.

((WN)) The defence was where you won those games. You blocked them off. Particularly Mexico, they couldn’t… Canada was even better. You kept on forcing turnovers, forcing timeouts. That was the defensive game, was the way you won it.

Shelley Chaplin: Absolutely.

((WN)) But Germany had a good defensive game as well. It must have been good, playing on your birthday.

Shelley Chaplin: It was really cool. The whole team, the whole Australian Paralympic team wished me happy birthday, the whole crowd sang me happy birthday and this sort of stuff. It was pretty special, but once you get into it, it’s just another game. I know all the people were talking about the fact that it was my birthday, but it didn’t [get to me]. It was fun. It was fun. Not a bad place to have your birthday.

((WN)) So how do you compare London with Beijing and Athens?

Shelley Chaplin: Well, I think every games gets a little bit better anyway. Like, Beijing was better than Athens and I think London was a lot better than Beijing again. But I think the special thing about London is that it was British, and so they obviously support Australians, but we were just athletes to them, I think. Whereas in Beijing we were still disabled athletes. But in London we were just athletes and they loved our sport and they understood our sport, which was really cool. The crowds… it was amazing.

((WN)) We have a lot of statistics on the response to it. Unfortunately, being in London I couldn’t see the TV coverage.

Shelley Chaplin: Back here the ABC did a fantastic job with us. Everybody knows about the Paralympics. Everybody saw something.

((WN)) Apparently there was extra requests for the Gliders. So more people wanted to see you.

Shelley Chaplin: People like basketball. Basketball is very easy to relate to. Team sports are good to watch. But I think, like I was saying earlier, if you take away the wheelchair, there’s nothing to do with disabilities. If an able bodied jumped into a wheelchair, it’s exactly the same as us. Whereas an able bodied can’t run against someone with blades. You know?

((WN)) Yes.

Shelley Chaplin: So I think that’s why; it’s very relatable, and obviously it’s fun to watch.

((WN)) It seems be be getting bigger with each set of games.

Shelley Chaplin: Definitely.

((WN)) I’ve got figures from Google. London is twice as big.

Shelley Chaplin: Yep. Absolutely. The Paralympic movement is exciting because we’re all amateur athletes, and we’re all doing it because we love the sport. I think, during Beijing, I know in the Australian media they tried to get everyone to look away from our disabilities and look at us just as athletes, but I think in London they were like, here’s their disabilities, here’s what they are doing athletically, and combining the two, which made for amazing coverage, right? Cause everyone understood our disabilities but our sport as well.

((WN)) Some of the things you were doing. The three point shot from a chair.

Shelley Chaplin: Yeah.

((WN)) And the speed at which you moved at times, in excess of what someone without a chair could do. It’s just a fabulous sport.

Shelley Chaplin: I think so!

((WN)) Are you’re definitely up for Rio as well?

Shelley Chaplin: Yep. Definitely. Obviously, it will be my fourth games and I was going to retire after London, but I’m still good enough to do it, and I’m young, I’m only only 28. So, yeah, I think I can play another games in me. The Paralympic movement as I was saying is so exciting right now. I can’t even imagine what Rio is going to be like. It’s going to be massive. Yeah, I want to be part of it. And representing your country is a big deal.

((WN)) Well I look forward to seeing you there. Thanks very much!

Shelley Chaplin: No worries!

Wednesday, May 5, 2010

On June 1, hurricane season in the Atlantic Ocean and surrounding areas will commence, signaling the potential for a tropical storm to develop at any time. After last year’s relatively quiet season, with only nine named cyclones, meteorologists are on-guard for increased activity over the upcoming summer and autumn. Hurricane season runs until November 30, and while storms are known to have developed at practically any time of the year, most tend to form within those bounds. The peak of hurricane season is considered to be within the month of September.

In 2009, a weather pattern known as El Niño in the Pacific Ocean and dust from Africa prevented many storms from developing. However, both of these inhibiting factors are relenting, and waters in some parts of the ocean are abnormally warm. As a result, forecasters are concerned that the 2010 season may be significantly more dangerous, comparing it to previous destructive periods, such as 1969, 1998 and 2005. In an exclusive interview, a Wikinews reporter talks with Colorado State University hurricane expert Dr. Phil Klotzbach on the upcoming hurricane season.